Indian Mughals and Persian Qajars called their thrones Takht-e Tawuss (the Peacock Throne). Seeing the bird for the first time, Alexander the Macedon called peacock ‘the Persian Bird’.
It found a guardian role in Hellenistic culture appreciated with thousand eyes on the tail. To Christians the bird represents immortality.
In the 1486 painting Annunciation with St. Emidius by Carlo Crivelli, a peacock is sitting on the roof above the praying Virgin Mary
Iranian and Indian Muslims depict peacocks on their mosques’ façades to guard the door against the Devil; He is the only creature of Eden who saw Satan in his own appearance.
Peacock also represents the supreme being of the Kurdish Izadi sect Melek Tawuss (Angel Peacock) who create the world with a cosmic egg.
Peacocks are depicted widely on woven pieces in Iran, India, China, Turkey and Caucasia with both naturalistic and stylized renderings. Akstafa Peacock is a famous stylized version used in Iran, Turkey and Caucasia, being named after a Caucasian town in whose antique rugs peacocks used as central motifs.